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Single-authored publications

“Geolocating Popular Memory: Recorded Images of Hashima Island after Skyfall” (Popular Communication: The International Journal of Media and Culture, 2018).

“Hoskins, A. (Ed.), Digital Memory Studies: Media Pasts in Transition“(New Media & Society, 2018).

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“Graham, S. Vertical: The City from Satellites to Bunkers” (PUBLIC, 2018).

“Settler Sublime: Reparation and Return in Yael Bartana’s Polish Trilogy” (2017) PhiN: Philologie im Netz, Beiheift13: 220-244.

“Teaching Media Infrastructure through Popular Culture” (Mediapolis: A Journal of Cities and Culture, 2017).

“The Geospatial Rhetoric of Asylum: Mapping Migration in Fortress Europe” (Networking Knowledge: Journal of the MeCCSA, 2016).

“Geospatial Detritus: Mapping Urban Abandonment,” Global Garbage: Urban Imaginaries of Excess, Waste, and Abandonment, Lindner, C., and Meissner, M. (Eds.). London and New York: Routledge, 165-180.

“Public Space, Media Space: A Review” (Mediapolis: A Journal of Cities and Culture, 2016).

“Topography and Frontier: Gibellina’s City of Art” (2016) M/C: A Journal of Media and Culture, 19(3), Special Issue: Place: Online.

“What’s New? Boris Groys in Translation” (2016) Reviews in Cultural Theory, 6(1), 37-41.

“After Collective Memory: Postnational Europe and Socially Engaged Art” (York, 2015)

“The Remainders of Memory: Berlin’s Postnational Aesthetic” (2014) Drain: A Journal of Contemporary Art and Culture, 11(1), Special Issue: Ruin: Online.

“Countermemory in Post-Wende Berlin” (2014) Descant 45(3), Special Issue: The Berlin Project: 147-156.

“Archive Cultures: Technicity, Trace and Metaphor” (2013) The Everyday: Experiences, Concepts, Narratives Parrot, M. and Derry, J. (Eds.). Newcastle upon Tyne: Cambridge Scholars Publishing, 228-244.

“Andreas Huyssen and the Genres of Historical Memory” (2012) The Historical Textures of Translation: Traditions, Traumas and Transgressions. Ingram, S., and Reisenleitner, M. (Eds.).Vienna: Mille-Tre-Verlag, 33-59.

Topos of Faith: Derrida’s Counter-Institutions” (2012) Topia: Canadian Journal of Cultural Studies, Special Issue: Out of the Ruins: The University to Come. 28(1), 289-295.